Wuthering First, list quotes from the passage that are either diction or detail.

Diction:

"a poor conclusion"

"having brooded awhile on the scene he had just witnessed"

"an absurd termination to my violent exertions"

" train myself to be capable of working like Hercules, and when everything is ready and in my power, I find the will to lift a slate off either roof has vanished!"

"My old enemies have not beaten me; now would be the precise time to revenge myself on their representatives: I could do it; and none could hinder me. But where is the use? I don't care for striking: I can't take the trouble to raise my hand! That sounds as if I had been labouring the whole time only to exhibit a fine trait of magnanimity. It is far from being the case: I have lost the faculty of enjoying their destruction, and I am too idle to destroy for nothing."

"Nelly, there is a strange change approaching; I'm in its shadow at present."

"that appearance causes me pain, amounting to agony."

"About HER I won't speak; and I don't desire to think; but I earnestly wish she were invisible"

"HE moves me differently: and yet if I could do it without seeming insane, I'd never see him again! You'll perhaps think me rather inclined to become so,' he added, making an effort to smile, 'if I try to describe the thousand forms of past associations and ideas he awakens or embodies. But you'll not talk of what I tell you; and my mind is so eternally secluded in itself, it is tempting at last to turn it out to another."

"That, however, which you may suppose the most potent to arrest my imagination, is actually the least: for what is not connected with her to me?"

"The entire world is a dreadful collection of memoranda that she did exist, and that I have lost her! Well, Hareton's aspect was the ghost of my immortal love; of my wild endeavours to hold my right; my degradation, my pride, my happiness, and my anguish

'But it is frenzy to repeat these thoughts to you: only it will let you know why, with a reluctance to be always alone, his society is no benefit; rather an aggravation of the constant torment I suffer: and it partly contributes to render me regardless how he and his cousin go on together. I can give them no attention any more.'

Detail:

"get levers and mattocks to demolish the two houses,"

" I take so little interest in my daily life that I hardly remember to eat and drink. Those two who have left the room are the only objects which retain a distinct material appearance to me"

" her presence invokes only maddening sensations."

"Five minutes ago Hareton seemed a personification of my youth, not a human being; I felt to him in such a variety of ways, that it would have been impossible to have accosted him rationally. In the first place, his startling likeness to...

The sorrow and pity the reader felt at his loss of Catherine have all but vanished because of the demon he has become. He has tormented Linton and Hareton, as well as Catherine. Yet now, Heathcliff lets bare his soul. Heathcliff refers to his feelings: " her presence invokes only maddening sensations." The mood becomes filled with depth and compassion, as his characterization becomes fuller and rounder, and alleviates much of the tension and conflict that had gripped the novel. His newfound self-awareness dawns, and he compares himself with Hercules and the mythical labors he has had to undergo. This allusion is paradoxical because while he uses it to draw attention to his suffering it also means that Heathcliff compares himself to a mythical hero, when he has hardly been a hero. He refers to "having brooded awhile on the scene he had just witnessed" and to "an absurd termination to my violent exertions." Then, Heathcliff outright claims, " train myself to be capable of working like Hercules, and when everything is ready and in my power, I find the will to lift a slate off either roof has vanished!" The narrative voice of third party persons like Ellen and Lockwood has vanished by this passage because for the first time in Wuthering Heights, Heathcliff is offered a chance to speak. This is the most the reader has heard from him, at least until his painful reunion with Catherine in the minutes before her death.
One of the most stunning elements of this part of the narrative is Heathcliff's realization of his anguish through visions of Catherine in the younger generation. "Nelly, there is a strange change approaching; I'm in its shadow at present." Here, Bronte capitalizes not only on narrative voice but also on mood. The mood shifts from the arrogance of comparing himself to Hercules to sorrow when Heathcliff states, "that appearance causes me pain, amounting to agony." Then, the central conflict or tension of the story is revealed clearly. "About HER I won't speak; and I don't desire to think; but I earnestly wish she were invisible." Bronte even stresses the word "HER" so that Heathcliff's voice can come through. The tone and style of the maudlin book is then repeated when Heathcliff states, "The entire world is a dreadful collection of memoranda…